Writing - Conflict Resolution

 The conflict type I haven't dwelt upon, nor have I gone into style, and probably innumerable aspects of stand-offs between characters. In a sense, that is the nature of conflict: too many variables. The aspect I'm addressing today is how it comes to an end. While I'm writing, it is popping into my mind that this may take a couple of weeks to deal with adequately. 

Conflict can, of course, end unsatisfactorily, with a situation whereby there is no really identifiable conclusion. In the context of a story, this may be a useful 'beginning' of another element within the tale. That may have been your intention in setting up the conflict. There are many examples where two protagonists may end up working together, in enmity, but towards a mutually desired conclusion. 'Cop shows' use this frequently, where the lone detective fights authority over having to work closely with a colleague. (eg. Melissa McCarthy and Sandra Bullock in Heat). The alternative successful conclusion is just as useful but tends to point towards a closed ending and follows the direction of the main story theme. 

The conflict may lead to a romantic relationship, as for Steele and Naomi in the Steele novels. Again, this has been used in stories before. 

In constructing the conflict, the purpose has to be clear from the outset for the writer, and less so for the reader. Such conflicts can spill over into following stories, and the life of such scenarios has driven the development of TV series and film franchises. I'm thinking of the relationship between cops like Starsky and Hutch, and Mel Gibson and Danny Glover in Lethal Weapon. 

The point being that the purpose of the conflict needs to be kept in mind throughout its use. Of course, the full range of emotions can be the outcome of conflicts. Referring back to The Heat, this is a spiky, aggressive, and violent film, which I found hilarious, and is full of conflict from beginning to end, from McCarthy parking her car to fights with a criminal gang. The use of humour in conflict can actually deepen the affect that the serious, aggressive aim of the story. Even Victor Hugo introduced lighter moments with the innkeeper and his wife, which was fully explored in the stage show of Les Misérables. 

God Bless 

Poetry Thursday 160 - Read! Read! Read!

 Hitler destroyed books; Trump has taken money from libraries and tried to dictate reading materials in schools. This is a very brief summation of one aspect of controlling social groups, but can be summed up further by stating that 'knowledge is power'.

Travel the world from a chair

 

A book holds a story that will never die,

it is there to entertain forever.

The story is your transport to times gone by,

or a rocket hurtling towards the future.

 

The people inside are fallible like you,

but with help may foil the danger,

or follow a path taken by few,

and perhaps find a babe in a manger!

 

You may travel the wide world from your chair,

and never leave this wonderful land.

Change your colour or perm your hair,

without the risk of wearing a new brand.

 

The sky’s the limit every time you try

the same story read a dozen times.

Let your imagination be free and fly,

in the words of stories and of rhymes.

© David L Atkinson March 2015 

God Bless 

Writing - Conflict 2

Following on from last week, I've been thinking about the can of worms that is conflict. It ranges from toddlers nipping at each other to all-out war. 

 Like all processes, there are beginnings, developments and outcomes. The beginnings are virtually anything because conflict arises from reactions of individuals, which in turn are dependent on personality and learned personal preferences. When we write conflict into our stories, these are factors that can bring about a flashpoint. So there is an initial stimulus, which can vary according to who is the recipient of that stimulus. 

Then there is some type of reaction, which, once again, can take almost any form and doesn't have to be extreme, but for the players is significant. The fighting toddlers may cry and shout, young adults may indulge in a fist fight, or gangs may carry out more serious crimes. The explosion can take a myriad of forms. Within the explosive behaviour, there are opportunities to explore how such conflicts develop and then are resolved. 

Then the resolution may be a handshake, a hug, or a social gathering. Again, almost anything, depending on those involved. 

When we are developing situations for the entertainment of our readers, there is no limit to what we can imagine and include. At the same time, you can use real events that have occurred, like 9/11, an accident, and so on. The process is under the influence of the protagonists and the resulting narrative needs to be consistant. 

God Bless 

Poetry Thursday 159 - Brain Power

 A simple question with a plethora of answers, few of which are wrong. How do they con people into voting for them? (Fill in the names from your own experience).

Lucy

 

If we could use more of the power

of our brains, increasingly by the hour,

would our lives be any easier,

or would existence be a little trickier?

 

Some would pay to use that much!

Their ‘off’ behaviours demonstrate such.

Knowing there is more use to be had

suggests they’re perhaps not doing too bad.

 

But then living on the Earth are those

whose brain activity is set at doze,

and allowing them to engage with us

is risky if not dangerous.

 

We all go through our lives hoping

that our bustling brains are great at coping,

and if we strive to keep them busy

we may end up as bright as Lucy.

© David L Atkinson September 2014 

God Bless

Writing - Conflict

 Seems simplistic to talk about conflict in a blog about creative writing. Conflict, with all its elements, is an inevitable part of story writing. Even the most sugary love stories will have moments of disagreement – conflict. Superhero tales are packed with conflict; disaster movies have it; Christmas stories have conflict and resolution. 

So what is conflict? It is defined as –

a disagreement or argument about something important

 

In all examples, there are at least two opposing positions. Emotions, people, countries, and so on. There are stages in conflict, which I am not an expert in, but like education, we all have some experience of the processes involved in conflict.

For example, there is usually an initial low-level issue, not always, but often.  This is followed by some negotiation, but quite often it is inadequate in arriving at a solution. This may be because the levels of emotion and attention may not be fully invested. The cycle is a descending situation. It may happen in this way because the antagonists are jockeying for dominance. Eventually,  the situation may descend into violence of the tongue, or even physical violence.  At every stage there are opportunities to break into the process and effect change.

 

So conflict, to some degree, is flexible even though protagonists are apparently intransigent. These facts are an indication of openings for communication. As such, opportunities for dialogue, from the writers’ point of view, are useful in the production of stories. 

God Bless 

Poetry Thursday 158 - Did God Paint You?

 Another nudge in the direction of global survival. An earworm in the lugholes of big pharma, big corporations, big business, and all those who believe that they are bigger than the rest of us. 

Did God Paint You?

 

Your green is so green and petals that bright,

I wonder if I’m getting it right, 

surely cannot be an accident - did I misconstrue,

did God paint you? 

 

With wings so fine and white,

working efficiently in haphazard flight,

darting, soaring, riding thermals into the blue,

did God make you?

 

So many creatures in the world to see,

from enormous leviathan to tiniest flea,

each with an encyclopedia of behaviours to accrue,

did God design you?

 

Yet there’s one that struts upon the earth,

displaying a myriad of talents from the moment of birth,

claiming a planet stewardship they may some day rue,

should God take the blame for you?

©David L Atkinson August 2026 

God Bless 

 

Writing - Observation and Atmosphere

 If you have read any of my work before, you will have observed that I believe in serendipity. Happy accidents, in short. Probably an oversimplification, but adequate for today. Such occurrences can supply moments that may be useful in your writing. If you have your power of observation fully activated as you go about, such moments will present themselves.

 

At the time of writing it is August, school holidays in the UK, which influences traffic flow in our towns and cities. I had to journey into Bradford, something I do perhaps 2 or 3 times a year. Well, today was different. The motorway and major roads were as busy as ever, but when I arrived at my destination, it was as if Armageddon had occurred. Streets were deserted of traffic and pedestrians; there were parking places, and some businesses were boarded up. Really unusual but logical, as some businesses close during August. But the atmosphere was bleak. 10.45 in the morning, and it was quite chilling.

 

This type of experience lends itself to imaginative descriptive writing and may fit into a story you’re writing.  It could simply be a period of the day when deserted streets are usual, or something more fanciful. I remember deserted places during Covid in 2019. What use you put it to is up to you, but following my mother’s advice – don’t go about with your eyes shut! 

God Bless