These days it seems to be unfashionable to be a conspiracy theorist. In all honesty, I find it to be a bit of fun and an opportunity to exercise one's imagination. Not only that, on the rare occasions that my theory is close to the facts of a situation, a bit of a laugh. It’s like writing with all the brakes off. If you read Georgia Orwell’s book ‘1984’, you will appreciate that he was quite a conspiracy theorist.
David's Writings
Monday, April 20, 2026
Writing - What if ...?
Wednesday, April 15, 2026
Poetry Thursday 140 - Aspirations
If you have even a smidgin' of a creative gene and have considered what is good and what is bad creativity, then you will understand where I'm coming from. Unfortunately, there are more questions than answers, and in some circumstances, no answers at all. Why is the Mona Lisa art? Why is Warhol's tin of soup art? Why is Emin's messy bedroom art? I have an answer. The establishment likes what it sees and decided it's art. It is all very subjective. Similarly, with writing and the Booker and other awards for 'good' writing, the judgments are subjective. I am not referring to technical skills such as grammar, but simply the created work. In short, its is very subjective and subject to shifts in fashion.
Aspirations
So you think you can,
you’ve practised till blue in the
face,
then some clever-dick, know-it-all
man,
comes and puts you in your place.
Years of experience looking and
judging,
forgotten the tears and sweat
required,
thinks nothing of a little ego-bashing,
dismissed his memories of what
inspired.
A checklist of lauded ‘expert’ opinions,
backed by a plethora of fashionable
attitudes,
a blinkered officially recognized
minion,
a failure backed by meaningless
platitudes.
When is a tin of soup art,
or a smelly bedroom a sculpture,
who decides what keeps them apart,
fashion and a shrinking ‘official’
culture.
In short irrespective of which
artistic branch,
your art is what makes you feel,
fans may not come in an avalanche,
but to you the creation is real.
©David L Atkinson April 2026
Monday, April 13, 2026
Writing - Our Babies
One of the most frequently given pieces of advice is to write from where you're at. A second trite phrase is likening our books to children. You can probably understand why. In fact, that is where a dilemma arises. Writing is intensely personal, and yet to achieve success in this modern media-ridden world involves bearing your soul to the world.

That is the point at which a writer must make a decision.
They have to do their agent/publishers’
bidding and bend themselves into
a pretzel to achieve success, or they stick to their reasons for writing and
risk anonymity.
Back to the baby analogy. It would be naive to believe that your
work won’t require some adjustments, but you have to decide when a story stops
being yours.
Writing, as with all
arts, is subject to ‘fashion’ – the prevalent opinions of the day. Critics,
publishers, and reviewers jump on current bandwagons. If your work does not fit
the fashion, then you’ll be out of luck. That is the biggest test of whether or
not you keep going.
God Bless
Wednesday, April 8, 2026
Poetry Thursday 139 - Spring's sprung
I am obviously reinventing the wheel writing poems about spring and Easter at this time of year, but you have to go where the inspiration takes you.
Spring’s sprung
Clocks have gone forward,
Easter is past,
April’s established,
springs here at last.
Mornings quite chilly,
what to wear is a doubt,
ne'er cast a clout,
till may flower is out.
Look to the future,
past April showers,
friendlier days,
and beautiful
flowers.
Enjoy the passage,
through gentle spring,
and dance in the
world,
with musical swing.
©David L Atkinson April 2026
New Ones
Bunnies and babies
ducklings and chicks,
gambolling puppies learning new tricks,
kittens hanging from
great balls of wool,
randy teenagers
out on the pull.
The essence of life
in the hands of the young,
bursting with energy and looking for fun,
no limits to life
only just begun,
clearly a sign that spring has sprung.
©David L Atkinson April 2026
Monday, April 6, 2026
Writing - Emotional Range
So we've written about the details in stories, we've included information about any details that might have changed to make it interesting, and now we've got to try to make it more interesting for the reader. There are many ways of doing this, but for today just want to consider emotions that you may well include to engage the reader.
Certain emotions are easier to write about than others, for
example, anger, which people can apply their imagination to, still quite readily.
With those two emotions, one could imagine a fast pace, plenty of action, lots of
descriptive opportunities, and draw on personal experience. Those emotions that
are not quite as easy to deal with, or what may be described as softer emotions, or darker emotions. For example, sadness, the pain of loss, and failure are
intensely personal, and as everyone knows, people react differently in these
situations; they have a longer time scale and quite often involve a process
that the human body needs to go through to assimilate such emotions.
I want to simplify things and just consider happiness and fun, annoyance, sadness, and frustration.
In the first case of happiness, it being Easter weekend, one
can imagine any situation where people are visiting friends and relatives and
delivering presents, Easter eggs obviously, undescribed phone games, welcoming
attitudes, delightful surprises, imagining lots of smiles and perhaps quite a lot
of noise and laughter. Where the story goes from there is obviously up to you, the
writer, and you're free to make that decision
On the other hand, the sadness of a frustrating story may be something totally different, and if you can imagine how people would react to
the Iran war or the mention of Donald Trump, the loss of a loved one, all of
those scenarios trigger a different range of emotions. You may well have anger, you may well have sadness, you may have frustration, a deep sense of loss, a very
much darker place to be.
Whatever the story type you choose, this is when you can draw
on your own experience. That is not to say that if you have never experienced
personal loss, you should avoid the subject. However, you may well have to
do some basically search to fully understand all aspects of that particular
scenario. It depends upon the audience you are aiming for as to which of these
emotional roller coasters you decide to work with.
Whatever you decide to do, be sure of the ground you are
choosing and consider all aspects of human reactions, from physical to
psychological, before you embark on this journey.
God Bless
Wednesday, April 1, 2026
Poetry Thursday 138 - Easter Bunny
A fun time of year that is more of a new beginning than the turn of the year.
Easter Bunny
A happy time from tragedy,
applied to the cute and cuddly,
whether it be rabbits or chicks,
the intention to sell chocolate bricks.
Supposedly a sign of rebirth,
mood lightening from dark winter’s dearth,
but really another opportunity for
selling,
obscuring the message’s true meaning.
Opportunity to embrace newness again,
a natural world’s living campaign,
to protect our planet and save the
future,
from the actions of the current
caretaker.
Appealing to the fondness of the children,
with creatures and confectionery distraction,
hoping they will enjoy the reward,
and become more efficient landlord.
©David L Atkinson April
2026
Monday, March 30, 2026
Writing - Writing CEO
There’s one certain thing, and that is that you are the CEO of your own work, so you could make whatever artistic decisions you wish. I approached last week the idea of when and when not to include copious details in your work, on the fact that too much at the wrong time could actually slow the pace. It would seem that by suggesting that you are the CEO, it doesn't matter when or where you put the details, but the rules are just the same. Too much detail kind of slows the pace of your story; not enough detail may detract from interest in the story.
However, as the CEO of your own work, you have the right to
make decisions without reference to anybody else. It is nice when you are given
positive feedback and advice, but as in all aspects of life, you can choose to
ignore advice, irrespective of how good it is. Being your own CEO allows you
total freedom of expression.
Freedom of expression is the gift that writing gives you. You
can change the details of existing situations, adjust timelines and time scales, and be as futuristic as you wish to be, among other things. This is
only limited by your imagination. It should be the source of
inspiration for your writing. What I’m saying is you can write whatever you
like, and no one else has the right to deny you in your wishes. Of course, if you wish to sell books, it may be necessary to take current trends into consideration.
God Bless
Writing - What if ...?
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