Time I chatted with Charles III.
Why Poets Terrify Kings
Time I chatted with Charles III.
Why Poets Terrify Kings
It is often stated that 'there's nothing new under the sun', and 'history repeats itself'! We are also advised to learn from the experiences that history tells us. I am reading a book about the Luddite rebellions of 1811/12. Even 200+ years ago, there were people concerned about the reasons for civil unrest.
Canon Parkinson writing On the Present Condition of the Labouring Poor in Manchester, would later state,
"There is no town in the world where the distance between the rich and the poor is so great, or the barrier between them so difficult to be crossed.... There is far less personal communication between the master cotton spinner and his workmen, between the calico printer and his blue handed boys, between the master tailor and his apprentices, than there is between the Duke of Wellington and the humblest labourer on his estate, or than there was between good old George the Third and the meanest errand-boy about his palace. I mention this not as a matter of blame, but I state it simply as a fact."
Sound familiar?
The government sent the army to the north to manage the situation under Thomas Maitland. After just two days he reported back to Ryder.
Before the end of his second day in Manchester, Maitland was telling Ryder that the high price of food in relation to wages required very serious consideration. He gave some precise examples. Potatoes, now the most frequent food of the cotton worker, had risen from 7/6d to 18s a wholesale load. This had caused an increase in retail price to the worker such that, where once his penny would buy him 3lbs of potatoes, now it bought only 1lb.
Have you found yourself thinking that you've run out of imagination? Where is the next idea coming from? How do full-time artists do it? Even how brilliant is she/he. In fact, the problem is that we live in a world where information and opinion flood the senses 24/7. Our minds follow paths through that plethora of noise and favour some ideas and facts more than others. When someone suggests that you 'think outside the box' or indulge in some 'blue-sky thinking', they are just asking you to allow the strictures on your thinking to be released, or slackened off to allow in alternative ideas.
Of course, that may be a little scary. Stepping away from conventions may entail attracting criticism, a factor no human is truly happy accepting.
Like the box above. The sides aren't straight. The shading is not complete. I don't see what you are getting at.
The short answer is that there is no right answer. The idea is that you take from the sketch what you want to take.
I've written about messages in writings in the past. Dickens highlighted social problems in the nineteenth century, and George Orwell wrote about totalitarianism and democratic socialism. I was inspired to write about a possible future energy crisis.
To all those would-be authors who are feeling depressed, frustrated or jaded in some other way about not getting published or the lack of an audience. You are doing something that most folk only dream of and never actually attempt.
Writing over a period of time, in an imaginative way, requires backup notes, stamina and acceptance that writing is a dynamic process. Over the period I wrote the Steele novels, the characters aged, changes occurred in the setup, and one or two characters disappeared.
When characters are being prepared for a story, a writer needs to establish when the character appears on the planet. In defining the identity of your characters, their depth will be determined to a degree by their longevity. When I created Patrick A Steele, he had an almost whole life story. The explanation of his personality was defined from his late teenage years and is an integral part of who he is as an adult superhero.
Anonymity is defined as: lack of outstanding, individual, or unusual features; impersonality. A mysterious word suggesting mysteriousness that can be useful in creating plots and twists in plots. An author's meat and drink. When we write, the enigma is how to tell your readers as little as possible about a character and still maintain their importance.
Silence is golden and speech is silver.
The phrase originated in Arabic culture and became popular in English through translations in the 19th century. It emphasises that while speaking can be valuable, there are times when remaining silent is even more advantageous. So it is true in story writing.
Conspiracy theories are explanations for events or situations that assert the existence of a secret plot by powerful, sinister groups, often with negative or malevolent intentions. CTs can spice up a story and provide a motive, but if you read the mainstream media, they are the stuff of the confused and malcontents. Many examples are created on All Fool's Day and at the advent of a significant event, like landing on the moon.
You have the idea for your story and even a strong beginning, but how will your tale progress? The chances are that you have a solid plan, but then, while you're writing one of your characters does something unexpected!
Unless you are writing futuristic or period pieces, the current political situation can be an addition that adds 'flavour' to your work. Writers are renowned for being keen to hold governments of the day to account and have been imprisoned and worse in some regimes. Using politics is meat and drink to writers.
When we decide to write, we make a commitment to spend time, a considerable amount of time in fact, where we will be in solitary confinement. Sounds dramatic! However, during the writing process, you are the only one who can do the work because it comes from your mind.
Consider Time
It
only takes a second to make a mistake,
and
a minute to compound the error.
An
hour is a significant time to take,
and
in a day create real terror.
Some
real creativity happens every day,
and
in politics a long time is a week.
A
month can chase the seasons away,
and
a good year on January 1st we seek.
When
young a school day is so slow,
even
though it lasts just a few hours.
When
old, months faster than rivers flow,
and
time takes away our powers.
Time
like sand flows through our hands,
like
running water we can touch only once.
It
never returns for a second night’s stand,
but
is gone forever without response.
Time
is passive in one voice,
and
an unstoppable action in another.
It
provides the opportunity to make a choice
but
is unmoved if we don’t bother.
© David L Atkinson March 2015
God Bless
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