One of the factors that may ‘age’ your work is the technology you refer to in your work. It may be made more obvious when stories are transferred to screens. Even reading can pick up old tech, which may jar in the mind of your customer.
If you are writing an historical story, then the technology becomes secondary, but if you are writing about recent history, say the 1980s, then objects such as phones are very different from what we see today. There were no smartphones and the mobiles were the size of bricks and prohibitively expensive.
Cars may
also be time-sensitive. Even if you are
writing in the present time, stay up-to-date. When I was writing Steele , as
part of my preparation, I researched vehicles and weaponry and kept that
document for the whole series of books, updating as was necessary. The exercise highlighted
the capability of the weapons, which provided relevant background for the
narrative. Similarly, vehicle performance and tech can provide an interesting background that will appeal to some sections
of your readership.
This may
seem unimportant but it is inclusive for some, and for those less driven by
details, may skip a paragraph. The bones of your story are important because it
demonstrates to the reader that you care enough to look after the details.
Similarly,
empathising with the action you are describing can introduce accurate realism, thus clothing the bones and giving your audience information on which to pin
their own knowledge and imagination. The example I often use is the magazine
capacity of handguns. When I began writing Steele, the biggest magazines only
held 12 – 15 cartridges. By the time I finished the last book, there was a Glock
with a magazine for many more bullets.
If I were
writing about nowadays, there would have to be an electric vehicle in there
somewhere, and obviously AI, but updated in comparison to ‘Hal’ in 2001 A Space
Odyssey.
In fact,
writing the tech stuff I enjoyed greatly. Each to their own.
God bless


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