I remember growing up in the 1960s and 70s and seeing a menu of soap operas on TV. I also remember when I stopped watching some of them and the reasons why. Coronation Street was the first programme of that type, and it was soon joined by Emmerdale Farm and eventually EastEnders.
I stayed
as a loyal fan of Coronation Street for the longest of all three, even though my
parents were still watching all three many years after I’d left home. The
reason I stopped watching soap operas, I remember telling someone, was that they
were too close to real life.
Putting it
simply, I think I like to be entertained rather than coached in social
psychology and sociology. This side of my nature comes across in the type of
programmes I watch these days. I enjoy a good police drama, murder mystery and who-done-it. However, I can easily be put off when the human frailty of the lead
policeman seems more important than the crimes that they're trying to solve, and it seems to me that the screenwriters and authors are starting off from the
premise that the human frailty is what people are more interested in than the
actual crimes being committed.
So when it comes to the material I like to
watch, I look for the crime and hope that the programmes do not have an
alcoholic lead character, a Chief Inspector with family problems or a lawyer
who is struggling with his sexuality.
Now that is not to say that those issues aren’t
important, and it is essential to make your characters as human as possible.
I’m not into superheroes all the time, but there are plenty of people on the
earth who've had problems, lived through them, and are functioning normally, so
why not have people with their investigative skills who are functioning
normally? These are the reasons behind Patrick Steele, the lead character in my
novels. He is not a superhero; he's not perfect, he has had frailties in his
life, and one of the reasons why he is engaged in the activities as an adult is
because of the issues he had when he was a teenager. The information is described
in the earlier books and particularly in book 5, which is entitled Inceptus.
So the
idea of getting the balance right, the title of this blog suggests, is to guide
fellow authors away from human failings. Yes, they can be interesting, yes, it's
important that for reality’s sake, your characters are showing some human
feelings, but to remember that you are out there trying to entertain.
God Bless


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